12th-Century Jain Sculptures Unearthed in Udupi: A Glimpse into Medieval Karnataka’s Heritage
The discovery of 12th-century Jain Tirthankara and Bahubali sculptures in Udupi sheds light on the religious patronage of the late Chalukya and early Hoysala periods. This find enriches our understanding of Jainism's historical footprint in coastal Karnataka.
Archaeologists recently unearthed two significant stone sculptures in the Udupi district of Karnataka, dating back to the 12th century. The discovery includes a Jain Tirthankara and a sculpture of Lord Bahubali, providing fresh insights into the religious and cultural landscape of coastal Karnataka during the medieval period.
The sculptures are attributed to the late Chalukya and early Hoysala periods, a time when Jainism enjoyed significant royal and local patronage in the region. One sculpture depicts a Tirthankara standing in the 'Kayotsarga' posture (a meditative standing position), characterized by serene facial expressions and traditional iconographic features. The second sculpture represents Lord Bahubali, the son of the first Tirthankara, Rishabhanatha, who is a central figure in Jainism symbolizing renunciation and non-violence.
This find is particularly important for understanding the 'Tulu Nadu' region's history. While the Hoysalas are well-known for their intricate temple architecture in the hinterlands (like Belur and Halebidu), this discovery underscores the extent of their cultural influence and the flourishing of Jainism in the coastal belts. It highlights the syncretic nature of medieval Indian society where multiple religious traditions co-existed and thrived under the aegis of local chieftains and major dynasties.
From an architectural perspective, the 12th century was a period of transition. The sculptures exhibit the refinement of carving techniques prevalent in the Deccan. Such discoveries are vital for the Archaeological Survey of India (ASI) and state departments to map the distribution of Jain 'Basadis' (shrines) and the evolution of sculptural art in South India. For a UPSC aspirant, this discovery serves as a reminder of the deep-rooted pluralism in Indian history and the importance of regional art forms in the broader narrative of Indian culture.
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